September 2010
88 posts
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One of the things Conceptual Art attempted was the dismantling of the heirarchy...
– Benjamin Buchloh. 1990. Conceptual Art: From the aesthetics of administration to the critique of institutions. (122).
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Conceptual art replaced both ‘handcrafted original’ and ‘mass...
– Benjamin Buchloh. 1990. Conceptual Art: From the aesthetics of administration to the critique of institutions.
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Disturbance of the purity of perceptual experience, but it is performed as well...
– Benjamin Buchloh. 1990. Conceptual Art: From the aesthetics of administration to the critique of institutions. (116)
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Mapping of the linguistic onto the perceptual
– Benjamin Buchloh. 1990. Conceptual Art 1962-69: From the aesthetic of administration to the critique of institutions. (113).
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Formal arrangements in art is extremely complex in execution - a factor in the...
– Art, Culture and the Semiotics of Meaning (17).
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Form on the expression plane is the product of those arrangements of the matter...
– Henry Focillon 1934, The Life of Forms in Art. Art, Culture and the Semiotics of Meaning (16).
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THe signifying process that is the source of our meaning has several sources. At...
– Art, Culture and the Semiotics of Meaning. (13).
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The power of the symbolic mode of signification to represent things or ideas not...
– Art, Culture and the Semiotics of Meaning. (3).
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On the other hand, symbolic conventionality soetimes underlies what we may take...
– Art, Culture and the Semiotics of Meaning. (3).
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The symbol refers to its signifier by convention and is best exemplified by...
– Art, Culture and the Semiotics of Meaning
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these qualities, often described as unique, idiosyncratic, and immediately...
– ECO 1976, 265. Art, Culture and the Semiotics of Meaning.
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adresses the viewer directly as a literal presence in the space.
rather than...
– Claire Bishop. Installation Art- A Critical History. (6).
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I like the viewer to be able to move, so that there’s choice. I like there...
– Jessica Stockholder. Phaidon. (27).
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by engaging the surrounding space in this intimate fashion, an installation can...
– Mark Rosenthal. Understanding Installation Art. (27).
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viewer is in the present, experiencing temporal flow and spatial awareness
– Mark Rosenthal. Understanding Installation Art.
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the lifelike qualities of installation art group themselves around two paramount...
– Mark Rosenthal. Understanding Installation Art. (27).
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Buying an artists work is to support the artist, rather than own an artwork
– Alberro. Conceptual Art and the Politics of Publicity.
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The catalogue can now act as primary information for the exhibition, as opposed...
– Seth Siegelaub. Conceptual Art and the Politics of Publicity. (73)
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Rather than emphasizing the art object’s formal essence or categorical...
– Alberro. Conceptual Art and the Politics of Publicity. (70).
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Frederic Jameson - provocative description of the fate of the referent in the...
– Alberro. Conceptual Art and the Politics of Publicity. (66)